1860s

Works from the 1860s (click images for essays)

Honoré Daumier (1808–1879) 
The Drinkers, c. 1860
Watercolor, pen and ink, and charcoal on cream laid paper
9 7/16 x 10 1/2 in. (23.9 x 26.7 cm)
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, 1955.1504

Edgar Degas (1834–1917)
Study for “Dead Fox in the Forest,” c. 1861–64
Black and red chalks on cream wove paper
8 1/16 x 10 15/16 in. (20.4 x 27.7 cm)
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, 1955.1396

François Bonvin (1817–1887) 
Servant Knitting, 1861
Charcoal and black chalk with stumping and erasing on beige laid paper 
15 11/16 x 12 5/16 in. (39.8 x 31.3 cm)
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, 2012.12

Édouard Manet (1832–1883)
The Toilette, from the portfolio Eight Etchings by Manet, 1862
Etching printed in brown-black on cream laid paper 
Sheet: 20 9/16 x 13 7/8 in. (52.2 x 35.3 cm)
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, 1962.80

Honoré Daumier (1808–1879) 
Three Lawyers Conversing, c. 1862–65
Watercolor, pen and ink, charcoal, chalk, and gouache on cream wove paper
12 15/16 x 9 3/4 in. (32.9 x 24.8 cm)
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, 1955.1499

Édouard Manet (1832–1883) 
Boy with a Dog, from the portfolio Eight Etchings by Manet, 1862
Etching and aquatint on cream laid paper
Sheet: 14 1/16 x 10 3/8 in. (35.7 x 26.3 cm)
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, 1962.79

Édouard Manet (1832–1883) 
The Urchin, 1862
Lithograph on cream chine collé on white wove paper
Sheet: 20 1/16 x 14 15/16 in. (51 x 37.9 cm)
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, 1962.81

Edgar Degas (1834–1917) 
At the Races, c. 1860–62
Graphite and black chalk with stumping on beige-pink paper, pieced together
13 11/16 x 18 7/8 in. (34.7 x 48 cm)
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, 1955.1401

Charles-François Daubigny (1817–1878) 
Cows at a Watering Hole, c. 1863
Red chalk with stumping on cream wove paper
11 1/8 x 17 7/16 in. (28.3 x 44.3 cm)
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, 1991.2

Claude Monet (1840–1926) 
The Port at Touques, c. 1864
Black chalk on blued white laid paper
8 1/4 x 13 in. (21 x 33 cm)
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, 2006.5

Pierre Puvis de Chavannes (1824–1898) 
Study of a Woman’s Head, c. 1865
Graphite with stumping on beige wove paper
6 7/8 x 5 5/16 in. (17.4 x 13.5 cm)
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, 1955.1716 

Jean-François Millet (1814–1875) 
The Sower, c. 1865
Pastel and Conté crayon on beige wove paper, mounted on wood-pulp board
18 1/2 x 14 ¾ in (47 x 37.5 cm)
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts; Gift of Mr. and Mrs. Norman Hirschl, 1982.8

Edgar Degas (1834–1917) 
Study for “Scene from the Steeplechase: The Fallen Jockey,” 1866
Black and dark-brown chalks with stumping on blued white wove paper
9 1/8 x 14 1/8 in. (23.2 x 35.9 cm)
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, 1955.1397

William-Adolphe Bouguereau (1825–1905) 
Study of Venus for “Apollo and the Muses in Olympus,” c. 1867
Graphite with touches of white chalk on beige wove paper
18 7/16 x 12 in. (46.8 x 30.5 cm)
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, 1955.1578 

Edgar Degas (1834–1917) 
Study for “Madame Julie Burtey,” c. 1867 
Black and dark-brown graphite on blued white wove paper
12 1/16 x 8 1/2 in. (30.6 x 21.6 cm)
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, 1955.1406

Pages