David's Children
A deviation from the artist’s lofty images of “great
men,” these charming medallions depict David’s
children, Robert and Hélène. The portraits record
the chubby and dimpled flesh of infancy. Each child
wears a coral necklace, an item considered since
antiquity to protect against evil. In the nineteenth
century, such necklaces remained popular
christening gifts.
Typically for David, who often imbued everyday life with the symbolic, the portraits are also allegories — in this instance, of the senses of taste and smell. Robert sucks his thumb while Hélène presses a fragrant narcissus flower to her nose. The medallions illustrate the sensual immediacy of a child’s first engagement with the world, unfettered by thought and socialization.
Typically for David, who often imbued everyday life with the symbolic, the portraits are also allegories — in this instance, of the senses of taste and smell. Robert sucks his thumb while Hélène presses a fragrant narcissus flower to her nose. The medallions illustrate the sensual immediacy of a child’s first engagement with the world, unfettered by thought and socialization.

