Past Exhibitions: 1996

Catalogue cover with italian old master drawing as the background.

Italian Old Master Drawings from the Ratjen Foundation

October 28, 1996 to January 19, 1997

An exhibition of more than fifty Italian Old Master drawings selected from the Ratjen Foundation in Vaduz, Liechtenstein. Unfamiliar to American audiences, these drawings were assembled over three decades by Dr. Wolfgang Ratjen, who established the foundation to provide a permanent home for his collection. Works in the exhibition spanned some 250 years, beginning with Guilo Romano in the first half of the sixteenth century, continuing with a strong preference for baroque and rococo sketches, and ending with a few neoclassical studies from the late eighteenth century.

Painting of pastoral estate by a river lined with trees.

Mortlake Terrace: Turner’s Companion Pieces Reunited

October 8, 1996 to May 11, 1997

On loan from the National Gallery of Art in Washington, D.C., Joseph Mallord William Turner's Mortlake Terrace, Summer’s Evening of 1827 hung for six months beside its companion piece, The Frick Collection's Mortlake Terrace: Early Summer Morning, executed a year earlier. Both were painted for William Moffatt and depict The Limes, Moffatt's home overlooking the Thames at Mortlake, near Kew Gardens to the west of central London.

Painting of design and construction of church

Soane: Connoisseur & Collector, A Selection of Drawings from Sir John Soane’s Collection

April 30, 1996 to July 7, 1996

An exhibition of some fifty architectural drawings, highlights of the renowned collection of 30,000 works housed in Sir John Soane's Museum in London. The exhibition included works by Italian Renaissance masters; leading British architects of the seventeenth and eighteenth centuries (among them Sir Christopher Wren and Nicholas Hawksmoor); near contemporaries of Soane such as Sir William Chambers, Robert Adam, and George Dance the Younger; and the master himself. The drawings were virtually unknown to the public, and they had never before been exhibited outside England.

Pastel bust portrait of Nicolas-Pierre-Baptiste Anselme with white scarf, blue coat, and powdered hair.

Greuze, A Portraitist for the ‘90s

February 20, 1996 to April 28, 1996

A small exhibition focused on a pair of pastel portraits by Jean-Baptiste Greuze (1725–1805) that had recently been acquired by the museum: Baptiste Aîné and Madame Baptiste Aîné. Executed in Paris in the early 1790s, these dramatic images of a famous actor and his wife belong to an impressive series of portraits that Greuze painted and drew during the turbulent years of the French Revolution.

Painting of full length portrait of man in formal dress with a cape draped across his arm and holding a walking stick

The Butterfly and The Bat: Whistler and Montesquiou

November 14, 1995 to January 28, 1996

Another in-depth exhibition devoted to a single painting in The Frick Collection, this one focused on Whistler's celebrated portrait Arrangement in Black and Gold: Comte Robert de Montesquiou-Fezensac, first exhibited in 1894.


Sign up for news about exhibitions, events, and more. Let us know your interests.