Rembrandt and His School: Masterworks from the Frick and
Lugt Collections
February 15, 2011, through May 15, 2011
Partial Show Extension: Works on loan from the Lugt Collection will remain on view in the Lower-Level Exhibition Galleries through May 22. See a Virtual Tour of the paintings in the Oval Room.
Rembrandt van Rijn (1609–1669)
The Healing of the Mother-in-Law of Saint Peter
late 1650s
Pen and brown ink, with brown wash, heightened
with white
Fondation Custodia
When making sketches to serve as models for his students, Rembrandt often focused on a story's protagonists — in this case, Christ and the convalescent woman described in Mark 1:29–31 — deliberately excluding any additional figures. Here he also refrains from making any reference to the setting, save for a few lively strokes to suggest the bed or blanket on which the woman reclines. Rembrandt's strategic placement of hatched lines and subtle smudging of ink create bold contrasts in light and shadow, which underscore the drama of the event.
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