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Jean-Baptiste-Camille Corot (1796-1875), The Lake, 1861 (click for more information)

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A Symposium on the History of Art 2006

For more than half a century, The Frick Collection and the Institute of Fine Arts of New York University have hosted a symposium for graduate students in art history. The symposium offers doctoral candidates in art history the opportunity to deliver papers of original research in a public forum and to engage with colleagues in the field — novice and expert.

Presented by The Frick Collection and the Institute of Fine Arts of New York University

Friday, April 7, and Saturday, April 8, 2006

All graduate students in the history of art, faculty members, and museum staff members are cordially invited to attend. No reservations are necessary.

Friday Afternoon

at the Institute of Fine Arts

1 East 78th Street, New York

Casey Gardonio-Foat presiding

3:00
Welcome: Mariët Westermann, Director, Institute of Fine Arts,
New York University

3:10
From “Iustitia Saecularis” to “Iustitia Divina”: Romanesque Column-Bearing Lions from Italian Porch Portals
Giovanna de Appolonia, Boston University

3:30
Bruegel, Leprosy and Mirth
Yemi Onafuwa, Columbia University

3:50
Success and Failure: Bronzino’s Martyrdom of Saint Lawrence
Zlatan Gruborovic, Bryn Mawr College

4:10
The Imperfect Chapel, an Ever-Frustrated Royal Pantheon (1495-1535)
Nuno Senos, Institute of Fine Arts, New York University

Intermission

Vanessa Davidson presiding

5:00
Surname-i Vehbi and the Okmeydani Phase of the Circumcision Festival of 1720: A Study on Site, Structure, and Meaning
Saygin Salgirli, Binghamton University

5:20
Rebuilding the Bridge of Bassano: Forging the Palladian Canon in the Eighteenth Century
Daniel McReynolds, Princeton University

5:40
“It is Impossible to Travel without Improvement. . .”: The Grand Tour of Martha Coffin Derby
Jessica Lanier, Bard Graduate Center

6:00
The Fragment in Representation: Louis Dupré in Greece, 1819
Randy Innes, University of Rochester

No one will be seated once a lecture has begun.
Refreshments will be served after the lectures.


Saturday Morning

at The Frick Collection
1 East 70th Street, New York

Kristel Smentek presiding

9:30
Coffee will be served in the Garden Court.

10:00
Welcome: Anne Litle Poulet, Director, The Frick Collection

10:10
Hired Hands, Fired Bodies: Extinguishing Male Desire in The Ironworkers’ Noontime and The Floorscrapers
John Corso, Jr., Cornell University

10:30
Between Amateur and Dilettante, the Serious American Woman Art Student
Amanda C. Burdan, Brown University

10:50
John Sloan’s Social Conscience: Paintings by an American Democratic Socialist
Sascha Scott, Rutgers University

11:10
Hugh Stubbins’ Berlin Congress Hall and the Architecture of Democracy
Emily Pugh, The Graduate Center, City University of New York

Intermission

Xavier F. Salomon presiding


11:45
Guns and Rhodes: Land, Memory and Modernity in Harare’s Built Environment, 1890-1990
Gemma Rodrigues, Harvard University

12:05
“Do-it-yourself”: Jean Tinguely’s Méta-Matics at the Galerie Iris Clert
Meredith Malone, University of Pennsylvania

12:25
Donald Judd’s Cold War Monuments
Robert Slifkin, Yale University

For more information on these programs, contact education@frick.org.

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