Manuscripts

Manuscript collections in The Frick Collection and Frick Art Reference Library Archives consist primarily of art research files, gallery records, photographs of artists, and artists’ correspondence and personal papers that were donated to the Frick Art Reference Library. The research files of art scholars contain correspondence, photographs, notes, and printed material and include documentation of such artists as Gilbert Stuart and Gian Paolo Panini, as well as general research on early American artists and Western European art. The records of two galleries, the American Art Association, and Peter H. Davidson & Co., Inc., contain sales records, inventories, correspondence, and photographs of artwork. Artists are documented through collections of photographs and letters, photographs of artists in their studios, and papers of two artists, Charles Hawthorne and Raymond P. R. Neilson.

 

Below is a current list of Manuscript Collections, each with a brief description and links to the finding aid and catalog record when available.

 

 

Downham Hall Inventories

Two inventories completed in 1880 and 1881 listing the contents of Downham Hall, an estate that was located in Suffolk, England. The first, "An Inventory of the Household Furniture, Books, Pictures, and Effects at Downham Hall," details the contents of fifty rooms and spaces within the house as well as outbuildings and gardens. The second, "List of Furniture at Downham Hall belonging to Edward Philippe Mackenzie," details Edward Philippe Mackenzie's furniture, rugs, pictures, linens, and other furnishings found in eighteen rooms.

Thomas Sully Manuscript and Sketches

Manuscript written in Thomas Sully's hand in a notebook with lined paper, titled "Incidents in the life of Thomas Sully; chiefly of painting." Sully, who wrote the account when he was 88 years old, describes his technique, imparts formulas, relates his experiences, and refers to British and American artists of the period such as Gilbert Stuart, Rembrandt Peale, John Singleton Copley, and Benjamin West. Two original ink sketches for Sully's portraits of John Quincy Adams, 1823, and General Lafayette, 1826, accompany the manuscript.

Clarke Sketchbook

Small sketchbook (approximately 9 x 6 in.) contains approximately twenty-five pencil drawings, mainly of houses, sailboats, and lighthouses in Indiana or Massachusetts. The drawings were executed by William E. Clarke, a well-known organist in Massachusetts, and his brother, Lynn Winthrop Clarke (1877–1932), a judge, when they were young.

John Appleton Brown Sketchbooks

John Appleton Brown (1844–1902) was an American Impressionist painter. These two small sketchbooks include approximately thirty pencil drawings of lake and mountain landscapes and structures in the Swiss Alps, and approximately thrity-five pencil sketches of landscapes, figures, and botanical specimens.

Anton Mauve Sketchbook

Anton Mauve (1838–1888) was a Dutch realist painter.  His best known paintings depict peasants working in the fields and his paintings of flocks of sheep were especially popular in America. He was a leading member of The Hague School of painters and was influenced by the French painters Jean-François Millet and Camille Corot. This small sketchbook (7.5 x 4.5 in) contains approximately forty sketches of landscapes, figures, and animals, mainly executed in charcoal.

Vollon Correspondence Collection, 1846-1937

Correspondence and other documentation relating to French nineteenth century artist, Antoine Vollon, his son, Alexis Vollon, and their peers.

Alfred Moir Papers, 1939 to 1990.

Papers and research files of art historian and collector Alfred Moir (1924–2010), containing photographs, research notes, correspondence, writings, and documents relating to his personal art collection. Art collecting content emphasizes Old Master drawings, while research content focuses on Italian baroque art, particularly the work of Caravaggio and his followers.

Schaeffer Galleries Records, undated

Collection contains descriptive information and provenance for works of art that passed through the Schaeffer Galleries. Files may also include photographs of artwork, photocopies of research material, and/or bibliographic notecards. Schaeffer Galleries operated in Berlin from 1925-1939 and in New York City from 1936-2000 and specialized in Old Master paintings and drawings.

Coe Kerr Gallery Records

Records document works of art that passed through the Coe Kerr Gallery, arranged alphabetically by artist's last name, and mainly contain photographs and/or descriptions of the works of art, including provenance information.  The Coe Kerr Gallery operated from 1968 to 1993 and handled a variety of nineteenth- and twentieth-century American artists including Andrew Wyeth, Mary Cassatt, and John Singer Sargent. 

Lucy B. Mitchell Research Files on James Sanford Ellsworth, 1952–1987

Data sheets on individual portraits, photographs, correspondence, research notes, and printed materials document Mitchell's research on the life and works of American folk artist James Sanford Ellsworth (1802-1874). The collection also includes genealogical information about the sitters.

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