History

Helen Clay Frick, 1939

Henry Clay Frick, 1898

Spread from Catalog of Portraitsprepared by Helen Clay Frick for her father, 1909

Payment voucher for Philip IV (verso), 1911

Frick Art Reference Library inscription, 1935

Lady and Sir Robert Witt in the Frick Art Reference Library, housed in the Frick residence bowling alley, 1923

Frick Art Reference Library housed in Frick residence bowling alley, circa 1923

Original Frick Art Reference Library building, circa 1924

Reading Room in original Frick Art Reference Library building, circa 1931-1934

Construction of Frick Art Reference Library, 1934

Frick Art Reference Library Reading Room, 1935

Frick Art Reference Library stacks, 1935

Frick Art Reference Library Sixth Floor Work Room, 1935

Guido Sansoni, son of Mario Sansoni, 1938

Mme. Clotilde Brière (with Gaston Brière?), 1945

William Dinsmoor working on a map of Pisa for the Committee for the Protection of Cultural Treasures in War Areas at the Frick Art Reference Library, circa 1943-1945

Helen Clay Frick with Frick Art Reference Library staff, 1920s

1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17

Mission

The Frick Art Reference Library was founded in 1920 by Helen Clay Frick (1888-1984) as a memorial to her father, the industrialist and art collector Henry Clay Frick (1849-1919). Responding to the interest shown by Henry Clay Frick in learning more about the artists whose works he had purchased, Helen Clay Frick conducted research on her father's behalf. The data and documents that she shared with him would provide the nucleus for the Frick Art Reference Library. After her father's death, Miss Frick founded the Library to further his goals for The Frick Collection: “to encourage and develop the study of the fine arts, and to advance the general knowledge of kindred subjects.” Until her death, Miss Frick was steadfast in her devotion to the Frick Art Reference Library and continued to attend to every detail of its development and management.

Homes

From 1920 to 1924 the Library was housed in the bowling alley in the basement of the family residence (now The Frick Collection). For the next decade, it occupied a single-story Indiana limestone structure designed by Thomas Hastings at 6 East 71st Street, the site that had been intended for Frick's sculpture gallery. The Library opened its doors to the public at its present location, formerly 10 and 12 East 71st Street, adjoining the Collection, in 1935. The new thirteen-story structure was designed by John Russell Pope, who transformed the residence during the same period as part of an overall project to create two important public institutions dedicated to the study and appreciation of art. It incorporated the latest technologies. The floors were supported by the shelving pillars. There was air-conditioning in the book stacks. A dumbwaiter lift moved books between floors, and there was a Telautograph, an electrical writing system used to communicate written requests for materials. Unusually and farsightedly, there was room for seventy years growth in the collection. The firm of Buttrick, White and Burtis renovated the third floor Reading Room and the sixth floor office spaces in 1996.

Inspiration

Helen Clay Frick was inspired by Sir Robert Witt's Library of reproductions, now part of the Courtauld Institute in London. Adapting Witt's systematic classification and detailed documentation of photographs, Miss Frick also collected bibliographic material to establish a research center for the public where image and text could be used together to gain a comprehensive understanding of all aspects of Western art. To achieve this goal, Miss Frick obtained the advice of countless scholars and experts.

Photo expeditions

As early as 1922, Miss Frick commissioned photo-expeditions to record significant and seldom reproduced works of art in Europe and America.  With characteristic determination and resourcefulness, she gained access to otherwise inaccessible private collections with the help of art experts and photographers such as Lawrence Park, Mario Sansoni, W. W. S. Cook, and Mme Clotilde Briere. Over the next four decades, the Library amassed a collection of more than 56,000 negatives that are today among its most valued resources. In many cases, these negatives record works that have subsequently been damaged, altered, lost, or destroyed. They are part of the Photoarchive collection and many of the images can be accessed online.

War Years

During World War II, the Committee on the Protection of Cultural Treasures in War Areas of the American Council of Learned Societies was based at the Library. The Committee used the Library's visual records and location indexes to help pinpoint sites of important works of art that should be spared the devastations of war. For six months, the Library closed its doors to the public in order to serve the war effort. After the war, these records were used to aid in the repatriation of art and continue to be used for this purpose.

Library's Growth

Although the Library was founded as a separate institution, financially supported almost entirely by Miss Frick until 1984, it is now an integral part of The Frick Collection and serves as a singular resource for the study and appreciation of art and its history.

Today the scope of the Library's resources has grown to include institutional archives and the Frick Family Papers, on deposit from the Helen Clay Frick Foundation. 

Since 2006, the Library has been a partner in the New York Art Resources Consortium (NYARC), along with the libraries of the Brooklyn Museum and the Museum of Modern Art, New York. The three libraries share a catalog, Arcade.

Further Reading:

Barker, Nicolas. "The Frick Art Reference Library," The Book Collector Summer 1992.

Knox, Katharine McCook The Story of the Frick Art Reference Library: The Early Years. New York: Frick Art Reference Library, 1979.