Photoarchive Publications and Conference Papers

Publications

Inge Reist, Chief of Research Collections and Programs, "Photograph Archives and Scholarship: Past, Present, and Future." In Photo Archives and the Photographic Memory of Art History, edited by Costanza Caraffa, 381–88. Berlin: Deutscher Kunstverlag, 2011.

Louisa Wood Ruby, Head, Photoarchive Research, "Layers of Seeing and Seeing in Layers: The Work of Art in the Age of Digital Imagery." Journal of Aesthetic Education 42, 2 (Summer 2008): 51–56.

Louisa Wood Ruby, "The Montias Database of Sixteenth- and Seventeenth-Century Inventories of Dutch Art Collections." In In His Milieu: Essays on Netherlandish Art in Memory of John Michael Montias, edited by Amy Golahny, Mia Mochizuki, and Lisa Vergara, 395–402. Amsterdam: Amsterdam University Press, 2006.

Inge Reist, "The Frick Photoarchive: A Treasury of Unpublished Images of Works of Art." The Frick Collection Members' Magazine 3, 3 (Fall 2003): 9–11.

Inge Reist, "Three Drawings by Edgar Degas: A Research Challenge for the Frick Art Reference Library." The Frick Collection Members' Magazine 2, 2 (Spring/Summer 2002): 8–9.

Inge Reist, "The Frick Art Reference Library Helps Solve Provenance Research Mysteries." The Frick Collection Members' Magazine 1, 2 (Spring/Summer 2001): 12–13.

Inge Reist, "Provenance Research Tools." IFAR Journal 3, 3–4 (2000): 23–31.

Inge Reist, "The Changing Role of the Librarian—Publishing and Producing: Spanish Art from the Fourth to the Twentieth Century: A Critical Dictionary." Bulletin of the Visual Resources Association XXV (Summer 1998): 81–84.

Hermano, Maria Alessandra L., and Inge Reist, eds. Spanish Artists from the Fourth to the Twentieth Century: A Critical Dictionary. New York: G. K. Hall, 4 vols., 1993–96.

Conference Papers

Lily Pregill, New York Art Research Consortium Project Coordinator & Systems Manager, "Thinking Outside the Box: Migrating the Frick's Photoarchive Collection into Arcade." Art Libraries Society of North America Conference, Toronto (2012).

Louisa Wood Ruby, Head of Photoarchive Research, "The Work of Art in the Age of Mechanical Reproduction and Beyond." The Artefact and its Representations: the Vanishing Original in a Virtual Age, Comité International d'Histoire de l'Art Conference, Nuremberg (2012).

Inge Reist, Chief of Research Collections and Programs, "Picturing the Future: Private Collections and Public Institutions." Art Libraries Society of North America Session: Collaboration, Access, Sustainability: The Future of Image Research Collections, College Art Association Annual Conference, Los Angeles (2012).

Inge Reist, "Rinascimento: New Online Digital Resources from the Reali and Sansoni Photographic Archives." Italian Painting, Renaissance Society of America Conference, Washington D.C. (2012).

Louisa Wood Ruby, "If Paintings Could Only Speak: Photoarchives as Aids to the Technical Study of Works of Art." Intentional Alterations, Sixteenth Century Society Conference, Houston, Texas (2011).

Inge Reist, "Roundtable: The Future of Photoarchives." Photo Archives and the Photographic Memory of Art History, Part 1: Courtauld Institute of Art, London; Part 2: Kunsthistorisches Institut in Florenz—Max-Planck-Institut, Florence (2009).

Louisa Wood Ruby, "Collecting Dutch Art in Colonial America." Holland's Golden Age in America: Collecting the Art of Rembrandt, Vermeer, and Hals, Symposium, Center for the History of Collecting in America, The Frick Collection, New York (2009).

Louisa Wood Ruby, "Preserving Early America through Photography: The Frick Art Reference Library's Photography Campaigns to Collections of Early American Art." Collecting and Preserving Early America Symposium, Worcester Museum of Art, Worcester, Massachusetts (2008).

Inge Reist, "Sir Robert's Godchild: The Frick Art Reference Library Photoarchive." Fototeche a Regola d’Arte; Giornate di Studio, sponsored by the CERR of the Comune di Siena and Fototeca Briganti, Siena (2007).

Inge Reist, "El proceso de localización y devolución de los bienes incautados a los judíos." Expolios artísticos en Occidente. El patrimonio sevillano irredento (1810–1813), sponsored by the Universidad Internacional Menéndez Pelayo, Seville (2007).