Conservation

October 8, 2010. Dr. Fredric T. Schneider, Independent Scholar, New York, gives his lecture "Japanese Cloisonné Enameling on Glass Substrate, from the Late Nineteenth Century to the Present" for the 3rd Biennial ICOM-CC Experts' Meeting on Enamel on Metal Conservation at The Frick Collection, October 8–9, 2010.

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October 8, 2010, Agnès Gall Ortlik, Conservator in Private Practice, Barcelona, gives her lecture "A Concise Bibliography on the Technology, Deterioration, and Conservation of Enamels on Metal" for the 3rd Biennial ICOM-CC Experts' Meeting on Enamel on Metal Conservation, held at The Frick Collection, October 8–9, 2010.

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October 8, 2010. Angelo Agostino, Scientist, Dipartimento di Chimica Generale e Chimica Organica, Università di Torino, gives his lecture "Authentication of Limoges Enamels by Noninvasive Techniques: The Larcade Collection" for the 3rd Biennial ICOM-CC Experts' Meeting on Enamel on Metal Conservation at The Frick Collection, October 8–9, 2010.

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William Suhr Conservation Ledgers, 1938–1957

Two ledgers recording William Suhr’s conservation work for The Frick Collection and other prominent museums, collectors, and dealers from 1938 to 1957. Each entry consists of the date work was begun, the owner’s name, the artist and title of the work, conservation treatment performed, the amount charged, and the date completed.

Frame Survey

Thanks to a generous grant from the Institute of Museum and Library Services, the Conservation Department conducted a survey of all the picture frames in the collection in 2008–2009. These sometimes overlooked yet spectacularly crafted objects were carefully studied and documented. Conservator Joseph Godla and Associate Curator Charlotte Vignon worked with specialists from The Metropolitan Museum of Art to obtain basic cataloguing information and record the condition, materials, technical data, and construction techniques for each frame.

Enamels Survey

An assessment of the condition of the enamels in The Frick Collection has been carried out at different times throughout the history of the Collection. Condition notes were published in the Frick catalogues in 1955 and 1977, written by art historians Joseph Breck and Phillipe Verdier, respectively. In addition, more systematic surveys were carried out by conservators Harry Nelson in 1963 and 1972 and Rostislav Hlopoff in 1966.

Conservation of Fifth Avenue Garden Urns

Two massive Tennessee marble urns flank the large staircase of the Frick mansion's front façade on Fifth Avenue. The urns were part of the original design by Carrère & Hastings for the "furnishing and setting of the limestone and marble work of the grounds"; this included the front terrace, the balustrades, and six marble seats. As with the rest of the house, there were very specific instructions on the materials to be used in creating these urns, including an additional cost for plaster models.

Fragonard Room Lighting

During the summer of 2007, an innovative new lighting system was installed in the Fragonard Room to illuminate to its best advantage the bold palette Jean-Honoré Fragonard used in creating his masterful ensemble, The Progress of Love.

The project, which took four months to complete, upgraded the gallery’s sixty-year-old lighting system. Though state of the art when it was installed in 1947, the system had a narrow color spectrum and provided an uneven distribution of light.

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