Watteau to Degas: French Drawings from the Frits Lugt Collection, October 6, 2009, through January 10, 2010

Goya’s Last Works

February 22, 2006 to May 14, 2006

Goya’s understated portrait of the woman known as María Martínez de Puga, acquired by Henry Clay Frick in 1914, was the inspiration for The Frick Collection’s special exhibition Goya’s Last Works. It was the first show in the United States to concentrate exclusively on the final phase of Goya’s long career — the years of the artist’s voluntary exile in Bordeaux from 1824 to 1828. Fifty-one examples of Goya’s final production were borrowed from public and private European and North American collections.

Domenico Tiepolo (1727–1804): A New Testament

October 24, 2006 to January 7, 2007

The eighteenth-century Venetian painter and draftsman Domenico Tiepolo is best known for his drawn narrative cycles of thecommedia dell’ arte character Punchinello and engaging scenes of everyday life in the Veneto. He reserved his greatest passion, however, for sacred subjects.

Poussin, Claude, and Their World: Seventeenth-Century French Drawings from the École des Beaux-Arts, Paris
September 18, 2002 to December 1, 2002

Featuring approximately seventy drawings, Poussin, Claude, and Their World: Seventeenth-Century French Drawings from the École des Beaux-Arts, Paris, included outstanding masterpieces by Nicolas Poussin and Claude Lorrain, as well as lesser-known masters such as Sébastien Bourdon, Simon Vouet, Noël Coypel, Charles Le Brun, Eustache Le Sueur, and others. Selected by Emmanuelle Brugerolles, Curator of Drawings at the École Nationale Supérieure des Beaux-Arts, and Colin B.

The Drawings of François Boucher
October 8, 2003 to December 14, 2003

Celebrating the tercentenary of the artist's birth, this exhibition was the first survey of François Boucher's (1703–1770) drawings in more than twenty-five years. Featuring approximately eighty sheets — few of which have ever been on view in the United States — the exhibition provided a new understanding of Boucher's prolific output of works on paper and demonstrated his extraordinary technique and style as a draftsman.