Images of Interest

Image depicting the Virgin Mary and Christ Child.

Although most of the Photoarchive’s 1.2 million reproductions illustrate art from just eight national schools, works from an additional forty countries and regions classified “minor schools” are also represented. An artist from the Tyrolese School, which encompasses works from the intersection of Austria, Italy, Switzerland, and Germany, is presumed to have painted this representation (left) of a fifteenth-century statue called the Black Madonna of Einsiedeln.

Painting of the corner of an apartment featuring a blue sofa, a side table with a lamp, and walls covered with framed paintings.

Interior of the Artist's Apartment, made sometime after 1910 by the American painter and watercolorist Walter Gay, shows a narrow view of a sitting area in Walter and his wife Matilda's Paris apartment at 11 Rue de l'Université, where the couple had moved in May 1909.

A color drawing of a terra cotta vase filled with red, yellow, purple and red-and-white striped tulips with a small bird's nest containing three eggs propped on its base.

Dr. Charles A. Ryskamp (1928–2010), Director of The Frick Collection from 1987 to 1997 and, prior to that, of the Morgan Library & Museum, spent more than fifty years developing an extraordinary personal collection of European drawings. Passionate about collecting from a young age, his interest took a serious turn while he was a graduate student at Yale. He avidly collected books and manuscripts related to his studies, then branched into the visual arts when he purchased two Edward Lear drawings while he was a research fellow at Cambridge.

Three-quarter-length portrait of a man against a landscape, pointing to three pyramids.

In 1943, Brooklyn artist Esta Cosgrave (née Esther Flack) (ca. 1900–1952) adopted a quirky style of painting modern-day likenesses in 18th- and 19th–century costumes and poses. Her portraits borrowed their contexts from the works of American painters John Singleton Copley, Robert Feke, Jeremiah Theus and their contemporaries, and also from pictures by unknown, itinerant painters.

Drawing of a massive, multi-family townhouse with turrets, gables and round arches standing on the corner of a busy intersection in mid-century Manhattan.

One of the most popular series completed by the American illustrator Vernon Howe Bailey was his "Intimate Sketches of New York," which records the city during a period of dramatic growth—and change.

A black-and-white photograph of a Renaissance wall tomb set in a Venetian church.

Beginning in 1925, Helen Clay Frick hired the Italian photographers Mario Sansoni and Oreste Nesti to traverse Italy documenting in situ sculptures, paintings, and frescoes that other firms such as Anderson, Alinari, and Brogi had neglected to capture. On several occasions, staff of the Frick Art Reference Library requested photography of objects specifically related to works in The Frick Collection. - See more at: http://www.frick.org/photoarchive/discoveries/analog_facial_recognition_technology#sthash.lZxHZipQ.dpuf

A restored half-length painting of the Virgin Mary wearing a veil holding the Baby Jesus.

The third and final entry in a series of three blog posts focusing on conservation "interventions" as recorded in the holdings of the Frick Art Reference Library Photoarchive is this mysterious devotional image in the church of San Martino in Velletri, Italy.

A woman holding a young child and a small spaniel on her lap.

The second of a series of blog entries focusing on conservation “interventions” as recorded in the holdings of the Frick Art Reference Library Photoarchive is this problematic portrait of an engaging young woman, her son, and their serene spaniel attributed to Sir William Beechey (1753–1839).

Half-length portrait of a young woman dressed in a short-sleeved white dress and a shawl seated in a chair.

The first in a series of blog entries focusing on conservation “interventions” as recorded in the holdings of the Frick Art Reference Library Photoarchive is this elegant portrait of Mrs. William Bedlow Crosby attributed to Eliab Metcalf (1785‒1834), which underwent substantial restoration before 1940.

Corner of a room with a section of fresco depicting the head and shoulders of a young blond man.

In 1956, Thomas Hoving, the former director of the Metropolitan Museum of Art, New York, traveled to Sansepolcro, Italy, to study and photograph works by Piero della Francesca (ca. 1415–1492), including a recently discovered fresco in the church of Santa Chiara (formerly Sant’Agostino).

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