In 1916, Henry Clay Frick converted his private office at his home on Fifth Avenue into a gallery for the collection of Limoges enamels that he had purchased from the estate of J. Pierpont Morgan for the then-staggering sum of $1,157,500. What was so compelling about these delicate, jewel-like objects that Frick paid such a high price and was willing to sacrifice his sanctuary for their display?

October 8, 2010. Angelo Agostino, Scientist, Dipartimento di Chimica Generale e Chimica Organica, Università di Torino, gives his lecture "Authentication of Limoges Enamels by Noninvasive Techniques: The Larcade Collection" for the 3rd Biennial ICOM-CC Experts' Meeting on Enamel on Metal Conservation at The Frick Collection, October 8–9, 2010.