Past Exhibitions: 2016
November 16, 2016 to February 19, 2017
The Frick Collection presented the first exhibition on Pierre Gouthière (1732–1813), the great French bronze chaser and gilder who worked for Louis XV and Louis XVI. The exhibition shed new light on the artist’s production, life, and workshop through the presentation of twenty-two objects from public and private collections. Attributed with certainty to Gouthière, these works include clocks, vases, firedogs, wall lights, and mounts for Chinese porcelain and... read more »
October 25, 2016 to January 22, 2017
Guido Cagnacci was one of the most eccentric painters of seventeenth-century Italy, infamous for the unconventionality of both his art and his lifestyle. Born in Romagna in 1601, he lived and worked in his native region as well as in Venice, concluding his career in imperial Vienna. His works, mostly religious in subject, are known for their unabashed, often unsettling eroticism, and his biography is no less intriguing.
July 12, 2016 to October 2, 2016
It would be difficult to think of an artist further removed from the muck and misery of war than Jean-Antoine Watteau (1684–1721), who is known as a painter of amorous aristocrats and melancholy actors. And yet, early in his career, Watteau painted a number of scenes of military life.
May 24, 2016 to April 2, 2017
A collaboration with New York−based sculptor Arlene Shechet, this exhibition explored the complex history of making, collecting, and displaying porcelain. About one hundred eighteenth-century pieces produced by the Royal Meissen Manufactory, many from the promised gift of Henry H. Arnhold, were juxtaposed with sixteen of Shechet’s own works.
March 2, 2016 to June 5, 2016
Anthony van Dyck (1599–1641), one of the most celebrated and influential portraitists of all time, enjoyed an international career that took him from his native Flanders to Italy, France, and, ultimately, the court of Charles I in London. Van Dyck’s supremely elegant manner and convincing evocation of a sitter’s inner life — whether real or imagined — made him the favorite portraitist of many of the most powerful and interesting figures of the seventeenth century.
October 7, 2015 to January 10, 2016
From about 1515 until his death, Andrea del Sarto (1486–1530) ran the most successful and productive workshop in Florence, not only leaving his native city richly decorated with his art but also greatly influencing the art produced in the remainder of the century. By 1700, however, Andrea’s reputation had declined, not to be revived until the publication of monographs by Sydney Freedberg and John Shearman in 1963 and 1965, respectively.
April 28, 2015 to April 24, 2016
Between 1916 and 1918, Henry Clay Frick purchased several important pieces of porcelain to decorate his New York mansion. Made at Sèvres, the preeminent eighteenth-century French porcelain manufactory, the objects — including vases, potpourris, jugs and basins, plates, a tea service, and a table—were displayed throughout Frick’s residence.