October 4, 2011 to January 8, 2012
Pablo Picasso (1881–1973) is generally acknowledged to be the greatest draftsman of the twentieth century. The Frick Collection, New York, and the National Gallery of Art, Washington, D.C., co-organized an exhibition that looked at the dazzling development of Picasso's drawings, from the precocious academic exercises of his youth in the 1890s to the virtuoso classical works of the early 1920s.
June 8, 2011 to September 11, 2011
France has long been fascinated by the Ottoman Empire, and for hundreds of years the taste for turquerie was evident in French fashion, literature, theater and opera, painting, architecture, and interior decoration. Turquerie, a term that came into use in the early nineteenth century, referred to essentially anything produced in the West that evoked or imitated Turkish culture.
May 22, 2011 to August 28, 2011
One of the most familiar and beloved paintings at The Frick Collection, Giovanni Bellini’s St. Francis in the Desert (c. 1480), is also deeply enigmatic. The artist has imagined this medieval saint alone in a stony wilderness, stepping forward from his simple shelter into a golden light that seems to transfigure him spiritually. For centuries, viewers of this masterpiece have puzzled over the meaning of Bellini’s composition and have sought explanations in a variety of pictorial... read more »
February 15, 2011 to May 15, 2011
When Henry Clay Frick (1849–1919) was asked whose talents he would most like to possess, he declared: "Rembrandt's." And as the largest individual railway stockholder in the world, Frick is reported to have said that "railways are the Rembrandts of investment." Like Frick, the Dutch art historian Frederik Johannes Lugt (1884–1970) was a great admirer and collector of works by the Dutch artist Rembrandt van Rijn (1606–1669); as a teenager he wrote a... read more »
October 26, 2010 to January 23, 2011
Painted at the height of Velázquez's career, the Frick's King Philip IV of Spain (1644) is one of the artist's consummate achievements. Contemporary chronicles as well as bills and invoices in Spanish archives indicate that it was painted in a makeshift studio only a few miles from the frontlines of a battle, and that it was completed in just three sittings. The work, which shows its subject dressed in military costume, an atypical depiction, was sent to Madrid where it was used... read more »
October 5, 2010 to January 9, 2011
The greatest Spanish draftsmen from the seventeenth through the nineteenth century — Ribera, Murillo, and Goya, among them — created works of dazzling idiosyncrasy. These diverse drawings, which may be broadly characterized as possessing a specifically "Spanish manner," will be the subject of an exclusive exhibition at The Frick Collection in the fall of 2010.
June 22, 2010 to September 5, 2010
It was the desire of Henry Clay Frick (1849–1919) that his extraordinary art collection and magnificent home at 1 East 70 Street be opened as a museum following his family's period of residence. After the death of his wife, Adelaide, in 1931, the mansion, built in 1913–14 by Thomas Hastings (1860–1929) of Carrère and Hastings, underwent further construction in order to transform it into a space suitable as a public institution.
March 9, 2010 to May 30, 2010
Dulwich Picture Gallery holds one of the world's major collections of seventeenth- and eighteenth-century paintings. The exhibition, which heralds the Gallery’s bicentenary in 2011, reintroduces American audiences to this institution’s collection through an exceptional group of works, to be shown exclusively at the Frick through May 30, 2010.
October 6, 2009 to January 10, 2010
Frederik Johannes Lugt (1884–1970) was a Dutch art historian, connoisseur, and collector.
September 15, 2009 to January 17, 2010
Although it was not until 2008 that the first piece of maiolica entered The Frick Collection, it was an extraordinary debut: a large dish painted with a narrative scene, oristoriato, inspired by Marcantonio Raimondi's print after The Judgment of Paris by Raphael. This scene is surrounded by colorful grotesques delicately painted on a white ground, a specialty of the renowned workshop of Orazio Fontana in Urbino, to which the best pieces are usually attributed.