David Pullins is Assistant Curator and an historian of seventeenth- through nineteenth-century art with a specific focus on France. He received his M.A. from the Courtauld Institute of Art and Ph.D. from Harvard University with a dissertation on the training and workshop practices of eighteenth-century French painters. His research has been supported by the Metropolitan Museum of Art, Sir John Soane’s Museum, Dumbarton Oaks and the Center for Advanced Study in the Visual Arts, among other institutions. He has published in The Burlington Magazine, Journal of Art Historiography, Master Drawings, Oxford Art Journal, Print Quarterly, Zeitschrift für Kunstgeschichte and in several exhibition catalogues and edited volumes, including Renoir: Between Bohemia and Bourgeoisie: The Early Years (Kunstmuseum, Basel: 2011) and Histories of Ornament. From Global to Local (Princeton University Press: 2016).