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Bibliography of Digital Art History

The bibliography of Digital Art History is an ongoing project created by the Digital Art History Lab to provide researchers with a springboard to the literature of Digital Art History and, to a lesser extant, the Digital Humanites.  The most updated version of the bibliography can be found in our Zotero Library page.

Digital Art History

AlSayyad, Nezar. 1999. “Virtual Cairo: An Urban Historian’s View of Computer Simulation.” Leonardo 32 (2): 93–100.

Bell, Peter, bell@uni-heidelberg.de, Joseph Schlecht, and Björn Ommer. 2013. “Nonverbal Communication in Medieval Illustrations Revisited by Computer Vision and Art History.” Visual Resources: An International Journal of Documentation 29 (1/2): 26–37. doi:10.1080/01973762.2013.761111.

Bonde, Sheila, Clark Maines, Elli Mylonas, and Julia Flanders. 2009. “The Virtual Monastery: Re-Presenting Time, Human Movement, and Uncertainty at Saint-Jean-Des-Vignes, Soissons.” Part of a Special Issue: Digital Crossroads: New Directions in 3D Architecural Modeling in the Humanities 25 (4): 363–77.

College Art Association and the Society of Architectural Historians. 2016. “Guidelines for Evaluating Digital Scholarship in Art and Architectural History.” http://www.collegeart.org/pdf/evaluating-digital-scholarship-in-art-and-architectural-history.pdf

Crombez, Thomas1, thomas.crombez@ap.be. 2014. “Digitizing Artist Periodicals: New Methodologies from the Digital Humanities for Analysing Artist Networks.” Art Libraries Journal 39 (4): 6–11.

Drucker, Johanna, drucker@gseis.ucla.edu. 2013. “Is There a ‘Digital’ Art History?” Visual Resources: An International Journal of Documentation 29 (1/2): 5–13. doi:10.1080/01973762.2013.761106.

Etro, Federico, Silvia Marchesi, and Laura Pagani. 2015. “The Labor Market in the Art Sector of Baroque Rome.” Economic Inquiry 53 (1): 365–87. doi:10.1111/ecin.12115.

Etro, Federico, and Laura Pagani. 2012a. “The Market for Paintings in Italy During the Seventeenth Century.” The Journal of Economic History 72 (2): 423–447. doi:10.1017/S0022050712000083.

———. 2012b. “The Market for Paintings in the Venetian Republic from Renaissance to Rococò.” Journal of Cultural Economics 37 (4): 391–415. doi:10.1007/s10824-012-9191-5.

Etro, Federico, and Elena Stepanova. 2013. “The Market for Paintings in the Netherlands During the Seventeenth Century.” SSRN Scholarly Paper ID 2320490. Rochester, NY: Social Science Research Network. http://papers.ssrn.com/abstract=2320490.

———. 2014. “The Market for Paintings in Paris between Rococò and Romanticism.” SSRN Scholarly Paper ID 2471488. Rochester, NY: Social Science Research Network. http://papers.ssrn.com/abstract=2471488.

———. 2015. “Art Collections and Taste in the Spanish Siglo De Oro.” SSRN Scholarly Paper ID 2574594. Rochester, NY: Social Science Research Network. http://papers.ssrn.com/abstract=2574594.

Federico Etro, Elena Stepanova. 2016. “Entry of Painters in the Amsterdam Market of the Golden Age.” Journal of Evolutionary Economics 26 (2): 317–48.

Fletcher, Pamela. 2015. “Pamela Fletcher. Essay on ‘Reflections on Digital Art History.’” Caa.reviews, June. doi:10.3202/caa.reviews.2015.73.

“Fletcher Helmreich Mapping the London Art Market.” 2016. Accessed February 16. http://www.19thc-artworldwide.org/autumn12/fletcher-helmreich-mapping-the-london-art-market.

Gaehtgens, Thomas W., TGaehtgens@getty.edu. 2013. “Thoughts on the Digital Future of the Humanities and Art History.” Visual Resources: An International Journal of Documentation 29 (1/2): 22–25. doi:10.1080/01973762.2013.761110.

Hulst, Titia. 2014. “The Right Man at the Right Time: Leo Castelli and the American Market for Avant-Garde Art.” Ph.D., United States -- New York: New York University.

Rodríguez Ortega, Nuria, nro@uma.es. 2013. “Digital Art History: An Examination of Conscience.” Visual Resources: An International Journal of Documentation 29 (1/2): 129–33. doi:10.1080/01973762.2013.761124.

 

Digital Art History Projects

“Broken Books: The Llangattock Breviary, a Rolls-Royce of a Manuscript · Broken Books.” 2016. Accessed February 16. https://brokenbooks.omeka.net/exhibits/show/llangattock.

“CRANACH DIGITAL ARCHIVE: Lucas Cranach.” 2016. Accessed February 16. http://lucascranach.org/.

“IAINBAXTER&raisonnE.” 2016. Accessed February 16. http://archives.library.yorku.ca/iain_baxterand_raisonne/.

“Japanese Woodblock Print Search - Ukiyo-E Search.” 2016. Accessed February 16. http://ukiyo-e.org/.

“Kunera.” 2016. Accessed February 16. http://www.kunera.nl/Default.aspx.

“Mapa d’espais d’oci a Barcelona 1870 - 1910.” 2016. Accessed February 16. http://www.ub.edu/gracmon/docs/mapaeob/.

“Mapping Art Markets in Europe 1500 – 1800.” 2016. Accessed May 9. http://www.artmarkets.eu/?lang=en.

“Mapping the Emergence of the Modern Art Gallery.” 2016. Accessed February 16. http://learn.bowdoin.edu/fletcher/london-gallery/.

“Mapping the Republic of Letters.” 2016. Accessed February 16. http://republicofletters.stanford.edu/.

“Mapping Titian: See the History of Art by Mapping Titian’s Paintings across Time and Space.” 2016. Accessed February 16. http://www.mappingtitian.org/.

“Mapping Video Art.” 2016. Accessed February 16. http://www.nyu.edu/gsas/dept/fineart/projects/.

“Medical Case Studies on Renaissance Melancholy.” 2016. Accessed February 16. http://melancholystories.com/.

“MICM-ARC | Mobilité, Identité, Culture Métropolitaine- Action de Recherche Concertée.” 2016. Accessed February 16. http://micmarc.ulb.ac.be/.

“ORBIS: The Stanford Geospatial Network Model of the Roman World.” 2016. Accessed February 16. http://orbis.stanford.edu/.

“Payments to Artists Database: Seventeenth-Century Rome (Getty Research Institute).” 2016. Accessed February 16. http://www.getty.edu/research/tools/provenance/payments_to_artists/.

“Rossetti Archive.” 2016. Accessed February 16. http://www.rossettiarchive.org/.

“Spatial History Project.” 2016. Accessed February 16. https://web.stanford.edu/group/spatialhistory/cgi-bin/site/project.php?id=1063.

“The History of the Accademia Di San Luca, Ca. 1590-1635: Documents from the Archivio Di Stato Di Roma English Italiano.” 2016. Accessed February 16. http://www.nga.gov/content/accademia/en/intro.html.

“The Interactive Nolli Map.” 2016. Accessed February 16. http://nolli.uoregon.edu/preface.html.

“Transatlantic Encounters: Latin American Artists in Paris between the Wars.” 2016. Accessed February 16. http://chnm.gmu.edu/worldhistorysources/w/365.html.

“UCLA Romelab | UCLA RomeLab.” 2016. Accessed February 16. http://romelab.etc.ucla.edu/.

“Vincent van Gogh The Letters.” 2016. Accessed February 16. http://www.vangoghletters.org/vg/.

“Vistas: Visual Culture in Spanish America, 1520-1820.” 2016. Accessed February 16. http://vistas-visual-culture.net/.

“Waters of the City of Rome.” 2016. Accessed February 16. http://www3.iath.virginia.edu/waters/first.html.

“What Jane Saw.” 2016. Accessed February 16. http://www.whatjanesaw.org/.

 

Digital Humanities

Bodard, Gabriel, and Simon Mahony, eds. Digital Research in the Study of Classical Antiquity. Digital Research in the Arts and Humanities. Farnham, Surrey, England ; Burlington, VT: Ashgate, 2010. https://lccn.loc.gov/2010001406.

Bodenhamer, David J., John Corrigan, and Trevor M. Harris, eds. The Spatial Humanities: GIS and the Future of Humanities Scholarship. Spatial Humanities. Bloomington: Indiana University Press, 2010. https://lccn.loc.gov/2009053214.

Cooper, David, and Ian N Gregory. “Mapping the English Lake District: A Literary GIS.” Transactions of the Institute of British Geographers 36, no. 1 (January 1, 2011): 89–108. doi:10.1111/j.1475-5661.2010.00405.x.

Gitelman, Lisa, ed. “Raw Data” Is an Oxymoron. Infrastructures Series. Cambridge, Massachusetts ; London, England: The MIT Press, 2013. https://lccn.loc.gov/2012022465.

Jaskot, Paul B. “Debates in the Digital Humanities, Edited by Matthew K. Gold.” Visual Resources 29, no. 1–2 (June 1, 2013): 135–40. doi:10.1080/01973762.2013.761126.

Kirschenbaum, Matthew. “What Is ‘Digital Humanities,’ and Why Are They Saying Such Terrible Things about It?” Differences 25, no. 1 (2014): 46–63.

Knowles, Anne Kelly, and Amy Hillier, eds. Placing History: How Maps, Spatial Data, and GIS Are Changing Historical Scholarship. 1st ed. Redlands, Calif: ESRI Press, 2008. https://lccn.loc.gov/2007038445.

“Lev Manovich – What Is Visualization? | Data Visualisation.” Accessed February 22, 2016. http://www.datavisualisation.org/2010/11/lev-manovich-what-is-visualization/.

“Using Low-Cost Hardware for 3D Scanning at Kenchreai, Greece.” Society for Classical Studies, August 8, 2015. https://classicalstudies.org/amphora/using-low-cost-hardware-3d-scanning-kenchreai-greece-0.

Yau, Nathan. Data Points: Visualization That Means Something. Indianapolis, IN: John Wiley & Sons, Inc, 2013. https://lccn.loc.gov/2012956416.

 

Online Journals

“Artl@s Bulletin | Scholarly Publishing Services Open Access Journals | Purdue University.” 2012. Present. http://docs.lib.purdue.edu/artlas/.

“International Journal for Digital Art History.” 2015. International Journal for Digital Art History. Present. http://www.dah-journal.org/.