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Table of Contents

Summary Information

Biographical Note

Scope and Content Note

Arrangement

Administrative Information

Controlled Access Headings

Collection Inventory

Series I: Correspondence

 1998-2000 

Series II: Subject Files

 1997-2002 

Summary Information

Repository

The Frick Collection/Frick Art Reference Library Archives10 East 71st Street
New York, NY, 10021
archives@frick.org
 © 2022 The Frick Collection. All rights reserved.

Creator

Stoner, Howard M., 1933-2017.

Title

Howard M. Stoner Research Files on Albert Moore

ID

MS.169

Date [inclusive]

1997-2002

Extent

2.1 Linear feet (5 boxes and 2 oversize folders)

Abstract

Research files of Howard M. Stoner (1933-2017) on the painter Albert Moore (1841-1893). Files contain correspondence, photographic materials, notes, photocopies of scholarship on Moore, and Stoner's unpublished manuscript on the artist.

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Biographical Note

Albert Joseph Moore (1841–1893) was a painter born in York, England to a family of painters. While many of his works are Neoclassical, his earlier work includes portraits as well as paintings that were inspired by the Pre-Raphaelite movement. There is little scholarship about Moore prior to the twentieth century, although one of his pupils, Alfred Lys Baldry, published a book about him in 1894.

Howard M. “Hap” Stoner (1933–2017) of New York, N.Y., once a senior vice president at advertising agency N.W. Ayer & Son, took an interest during retirement in art history and, more specifically, Albert Moore’s life and work. After auditing a course at Columbia University with Professor Allen Staley, he sought to further educate himself and others on Moore’s work, including traveling internationally to view all of Moore's known works in person. His research files contain evidence of his efforts to locate biographical works on the artist and write some of his own, ultimately culminating in an unpublished manuscript.

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Scope and Content Note

The collection consists of Howard M. Stoner’s research materials related to Albert Moore and the correspondence he maintained with various museum professionals and scholars who had access to or interest in Moore’s work. The collection is organized into two series: Correspondence and Subject Files.

Series I: Correspondence contains copies of emails, handwritten notes, and letters to and from Stoner. There are image requests made to museums and invoices related to these requests, communication with booksellers who had biographical materials related to Albert Moore, letters regarding meetings with scholars with similar interests, communication regarding viewing some of Moore’s works in person, and letters providing evidence that the painting Lilies had been incorrectly titled.

Series II: Subject Files contains copies of scholarship related to Albert Moore, Victorian artists, and the Pre-Raphaelite movement; photographic material including negatives, transparencies, slides, and photographs; gallery catalogs; library catalog records; and handwritten notes. It also includes a copy of Stoner's unpublished manuscript, Some Observations on the Paintings of Albert Moore, 1841-1893.

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Arrangement

The collection is organized into two series: Series I: Correspondence, 1998-2000 and Series II: Subject Files, 1997-2002. The folders in both series are arranged alphabetically.

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Administrative Information

Access Restrictions

These records are open for research by appointment under the conditions of The Frick Collection/Frick Art Reference Library Archives Access Policy. For all inquiries or to schedule an appointment, please contact the Archives Department at archives@frick.org.

Provenance

Gift of Nancy Reed, 2022.

Processing Information

Arranged and described by Kiki Verdun, 2022.

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Controlled Access Headings

Genre(s)

• Correspondence.
• Photographs.
• Research notes.

Personal Name(s)

• Moore, Albert Joseph, 1841-1893.

Subject(s)

• Classicism in art.
• Painting, British--19th century
• Pre-Raphaelites.

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Collection Inventory