Van Dyck Portraits Return to the Galleries
Monumental Works Offer a Preview of Next Year’s Exhibition
October 29, 2015
October 29, 2015
In 1877, James McNeill Whistler sued John Ruskin for libel. Earlier that year, the critic had accused the artist of “flinging a pot of paint in the public’s face” in response to one of his pictures then on view at London’s newly established Grosvenor Gallery. The case — victorious in name but financially devastating for the painter — is widely regarded as a clash between the Victorian art establishment and the avant-garde movement known as Aestheticism.
When the art historian Jacob Burckhardt visited the Louvre in 1843, a self-portrait by Bartolomé Esteban Murillo stood out amidst the superb Spanish works that made up the Galerie Espagnole, a magnificent collection assembled by King Louis-Philippe. Burckhardt wrote: “Murillo is still one of the greatest who ever lived. Here hangs his portrait (by his own hand). It is the key to all his works. . . . Look at these splendid, slightly pouting lips! Do they not reveal the man of action!
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