Past Exhibitions

Half length oil portrait of a woman with a blue dress wearing pearls, set against a brown background

Van Dyck: The Anatomy of Portraiture

March 2, 2016 to June 5, 2016

Anthony van Dyck (1599–1641), one of the most celebrated and influential portraitists of all time, enjoyed an international career that took him from his native Flanders to Italy, France, and, ultimately, the court of Charles I in London. Van Dyck’s supremely elegant manner and convincing evocation of a sitter’s inner life — whether real or imagined — made him the favorite portraitist of many of the most powerful and interesting figures of the seventeenth century.

Red chalk profile portrait study of Julius Caesar

Andrea del Sarto: The Renaissance Workshop in Action

October 7, 2015 to January 10, 2016

From about 1515 until his death, Andrea del Sarto (1486–1530) ran the most successful and productive workshop in Florence, not only leaving his native city richly decorated with his art but also greatly influencing the art produced in the remainder of the century. By 1700, however, Andrea’s reputation had declined, not to be revived until the publication of monographs by Sydney Freedberg and John Shearman in 1963 and 1965, respectively.

Oil painting of sleeping woman in orange dress curled up on bench

Leighton’s Flaming June

June 9, 2015 to September 6, 2015

At the end of his career, the British artist Frederic Leighton painted the now-iconic image of a sleeping woman in a vivid orange gown. This nineteenth-century masterpiece embodies the modern philosophy of “art for art’s sake,” the belief that the value of art lies in its aesthetic qualities rather than in its subject matter. The sensuously draped figure — freed from any narrative context — is integrated into a harmonious ensemble of rhythmic lines and radiant color.

watercolor landscape of shoreline with sailboats and buildings in the background

Landscape Drawings in The Frick Collection

June 9, 2015 to September 13, 2015

Depicting quotidian life in the country, urban scenes, and imagined views of timeless Arcadian realms, this selection of rarely exhibited landscape drawings from the Frick’s small but superb collection of works on paper reveals thematic continuities across four centuries. The presentation featured the Frick’s newly acquired View of Dieppe Harbor of 1873 by Antoine Vollon, the generous gift of Dr. Carol Forman Tabler.

Green and purple porcelain ship on bronze base

From Sèvres to Fifth Avenue: French Porcelain at The Frick Collection

April 28, 2015 to April 24, 2016

Between 1916 and 1918, Henry Clay Frick purchased several important pieces of porcelain to decorate his New York mansion. Made at Sèvres, the preeminent eighteenth-century French porcelain manufactory, the objects — including vases, potpourris, jugs and basins, plates, a tea service, and a table—were displayed throughout Frick’s residence.

Close-up of tapestry with three shepherdesses dancing

Coypel’s Don Quixote Tapestries: Illustrating a Spanish Novel in Eighteenth-Century France

February 25, 2015 to May 17, 2015

A masterpiece of comic fiction, Cervantes’s Don Quixote (fully titled The Ingenious Gentleman Don Quixote of La Mancha) enjoyed great popularity from the moment it was published, in two volumes, in 1605 and 1615. Reprints and translations spread across Europe, captivating the continental imagination with the escapades of the knight Don Quixote and his companion, Sancho Panza. The novel’s most celebrated episodes inspired a multitude of paintings, prints, and interiors.

Oil painting of virgin and child in garden

Masterpieces from the Scottish National Gallery

November 5, 2014 to February 1, 2015

From November 5, 2014, through February 1, 2015, the Frick presented ten masterpieces of painting from the Scottish National Gallery. The museum, one of the finest in the world, is distinguished for its holdings of works by the greatest masters of Western art and for its comprehensive collection of Scottish art. The exhibition featured paintings from the fifteenth to the nineteenth centuries that invite illuminating comparisons to the Frick's permanent collection.

Oil painting of Jesus Christ banishing people from a temple.

El Greco at The Frick Collection

November 4, 2014 to February 1, 2015

Henry Clay Frick had a deep appreciation for Spanish painting, particularly the work of El Greco, the extraordinary Greek artist who, after a brief period in Italy, spent most of his life in Toledo, Spain. Frick traveled to Spain twice and acquired three works by the artist between 1905 and 1913.

oil painting of man, from waist up, in black and gold armor with helmet on table

Men in Armor: El Greco and Pulzone Face to Face

August 5, 2014 to October 26, 2014

From 1570 to 1576, El Greco (1541–1614) worked in Rome, where he endeavored to establish himself as a portrait painter. The artist’s magnificent Vincenzo Anastagi ― a full-length standing portrait representing the largest of only three examples of his work in this genre to survive from the period ― offers a vital expression of his ambition and invention.

Painting of a half-length woman wearing a round headdress, big blue sleeves, and holding a white fan

The Poetry of Parmigianino’s “Schiava Turca”

May 13, 2014 to July 20, 2014

Born in Parma and known as Parmigianino after his native city, Francesco Mazzola (1503–1540) lived only thirty-seven years, yet his eloquent, innovative art inspired his contemporaries to name him “Raphael reborn” and praise him as one of the greatest painters of his age. During his short life, Parmigianino was especially esteemed for his portraits. Today his Schiava Turca, an exquisite depiction of a young woman, is an icon in the city of Parma and admired as an expression of ideal female beauty in the tradition of Leonardo’s Mona Lisa.

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