The Artificial Intelligence revolution is underway and how we as a society are interacting with images is changing drastically in response. Computer vision technology is increasingly becoming the standard vehicle through which we navigate the visual world on our devices.
Photoarchive staff was involved in the publication of a special issue of The Journal of Interactive Technology and Pedagogy: “Re-viewing Digital Technologies and Art History."
Scholars celebrate photoarchives for providing access to little-known works of art housed in private collections or in circulation on the art market. A feature of photoarchives that is less often appreciated, however, is how comprehensively they document famous works of art on public view.
The story of the "overzealous" restoration of a family portrait as related by the painting's current owner illustrates how crucial this type of personal information is to the documentation of the Photoarchive.
Perhaps one third of Photoarchive reproductions are cut from publications, including catalogs, books, newspapers, and magazines. This advertisement sheet for a painting possibly by Ralph Albert Blakelock (illustrated at left) was printed in 1942. As the sheet describes, the dealer Americana Arts is offering a landscape with teepees that might or might not be a good deal: