A focused exhibition placing a Hercules attributed to Antonio del Pollaiuolo in the collection of the Staatliche Museen zu Berlin side by side with the Frick's own bronze Hercules attributed to the same artist. Questions of the authorship and dating of both pieces were considered. The Collection also borrowed, for comparison with the bronzes, one painting and several prints and drawings, all by or closely related to Pollaioulo.
The Fitzwilliam Museum's collection of Renaissance and Baroque bronzes is one of the finest in Great Britain. Beginning February 15, The Frick Collection presented thirty-six of the Fitzwilliam's bronzes, many of which have never before been seen in America. Dating from the turn of the sixteenth century to the early years of the eighteenth century — the period that saw the flowering of the bronze statuette as an independent art form — the sculptures are remarkable for their beauty and refinement.
European Bronzes from the Quentin Collection
Created to delight and engage their audiences over countless viewings, bronze statuettes enjoyed immense popularity with rulers and the wealthy educated classes who collected them between the fifteenth and eighteenth centuries. The Frick Collection was pleased to have, as its special fall exhibition, European Bronzes from the Quentin Collection, the first public presentation of a distinguished, little-known private collection devoted to the art of these small- and medium-scale sculptures.