For the first time in twenty-four years and only the second time in their history, two masterpieces of early Netherlandish painting commissioned by the Carthusian monk Jan Vos will be reunited. These works, The Frick Collection’s Virgin and Child with St. Barbara, St. Elizabeth, and Jan Vos, commissioned from Jan van Eyck and completed by his workshop, and The Virgin and Child with St. Barbara and Jan Vos (known as the Exeter Virgin, after its first recorded owner), painted by Petrus Christus and now in the Gemäldegalerie, Berlin, will be shown with a selection of objects that place them in the rich monastic context for which they were created. The exhibition will explore the works’ patronage, function, reception, and spiritual environment, offering a focused look at devotional practices in Bruges during the mid-fifteenth century.
In 1441, Jan Vos was elected prior of the Bruges Charterhouse of Genadedal, an important monastery patronized by the dukes of Burgundy and some of Bruges’s foremost patrician families. Vos commissioned at least four works during his decade-long tenure at the helm of the prestigious charterhouse, but only the Virgin and Child and the Exeter Virgin survive today. The panels both achieve remarkable monumentality while incorporating myriad minute details.
The Charterhouse of Bruges will be on view in the museum’s Cabinet Gallery and is curated by Emma Capron, the 2016–18 Anne L. Poulet Curatorial Fellow at The Frick Collection. The exhibition will be accompanied by a fully illustrated scholarly catalogue published by The Frick Collection in association with D Giles Ltd., London.
The exhibition is made possible, in part, by an anonymous gift in memory of Melvin R. Seiden and The Andrew W. Mellon Foundation.
The accompanying catalogue is partially underwritten by the Flemish Research Centre for the Arts in the Burgundian Netherlands, Musea Brugge.