Past Exhibitions: 1997

  • Robert Adam — The Creative Mind: From the Sketch to the Finished Drawing

    December 16, 1997 to April 5, 1998

    Sixty-six drawings and watercolors by the renowned eighteenth-century architect Robert Adam, his brother and partner James, and artists employed in their office were on view at The Frick Collection from December 16, 1997, through April 5, 1998. The works were selected from the 9,000 Adam drawings acquired by Sir John Soane in 1833, virtually all of the surviving sheets that were kept by Robert and James Adam themselves.

  • The Spirit of the Place: Selections from the Carmen Thyssen-Bornemisza Collection

    September 17, 1997 to November 30, 1997

    An exhibition of fourteen paintings and four sculptures from the collection of Baroness Carmen Thyssen-Bornemisza. French, Italian, British, German, Spanish, and American artists were represented in works that ranged from scenes by the Italian vedutisti of the eighteenth-century to masterpieces by French Impressionist and Post-Impressionist painters.

  • Franklin and Condorcet: Two Portraits from the American Philosophical Society

    August 26, 1997 to November 16, 1997

    An exhibition of two remarkable portraits of famous men lent by the American Philosophical Society in Philadelphia: an oil on canvas representing Benjamin Franklin painted by Jean-Baptiste Greuze in 1777, and a marble bust of Nicolas de Condorcet executed by Jean-Antoine Houdon in 1785.

  • The Proud Republic: Dutch Medals of the Golden Age

    May 6, 1997 to July 27, 1997

    An exhibition of forty-one medals, a print by Rembrandt, and a spectacular silver-gilt standing cup with cover, dated 1639, by Jan Lutma the Elder, all chosen and catalogued by guest curator Stephen K. Scher.  The exhibition focused on Dutch medals of the seventeenth century, preceded by a sampling of sixteenth-century Italian and Netherlandish examples.

  • Italian Old Master Drawings from the Ratjen Foundation

    October 28, 1996 to January 19, 1997

    An exhibition of more than fifty Italian Old Master drawings selected from the Ratjen Foundation in Vaduz, Liechtenstein. Unfamiliar to American audiences, these drawings were assembled over three decades by Dr. Wolfgang Ratjen, who established the foundation to provide a permanent home for his collection.

  • Mortlake Terrace: Turner’s Companion Pieces Reunited

    October 8, 1996 to May 11, 1997

    On loan from the National Gallery of Art in Washington, D.C., Joseph Mallord William Turner's Mortlake Terrace, Summer’s Evening of 1827 hung for six months beside its companion piece, The Frick Collection's Mortlake Terrace: Early Summer Morning, executed a year earlier.