Past Exhibition: Mortlake Terrace

Painting of pastoral estate by a river lined with trees.
Mortlake Terrace: Turner’s Companion Pieces Reunited
October 8, 1996 to May 11, 1997

On loan from the National Gallery of Art in Washington, D.C., Joseph Mallord William Turner's Mortlake Terrace, Summer’s Evening of 1827 hung for six months beside its companion piece, The Frick Collection's Mortlake Terrace: Early Summer Morning, executed a year earlier. Both were painted for William Moffatt and depict The Limes, Moffatt's home overlooking the Thames at Mortlake, near Kew Gardens to the west of central London.

Virtual Tour

Gilded vitrine containing white porcelain vessels and gold with the portrait of a lady in the background

From a desktop computer, enjoy the fullscreen view by clicking on the button at the lower right corner. Click the button again, or press the esc key, to return to normal view.


Sir Charles Allom and Thomas Hastings collaborated once again to design the Library, meant to evoke a grand 18th-century English interior. Against oak-paneled walls Abraham Miller carved the lime wood floral garlands that decorate the Library’s chimneypiece. This room features an array of paintings from the British school. Custom bookshelves, intentionally designed low, ensure that the paintings and other art objects command pride of place.