The Frick Collection presented an exhibition entitled "Fragonard Drawings in North American Collections," previously shown at the National Gallery of Art, Washington, and at the Fogg Art Museum, Cambridge. This important and beautiful exhibition, curated by Eunice Williams, Assistant Curator of Drawings at the Fogg Art Museum, was comprised of sixty-three drawings by Fragonard, along with a few comparative examples of work by contemporary French artists.
An exhibition of seventy-eight drawings and watercolors lent from the Nationalgalerie in East Berlin, which holds over 4,000 of the extant Menzel drawings. This survey of the great German master's career was the first exhibition devoted to his work in the United States.
American audiences were offered their first comprehensive introduction to drawings and watercolors from the "Golden Age" of Danish art (1815–48) at The Frick Collection. The selection of seventy-two examples from the rich holdings of Denmark's premier art museum included portraits, landscapes, city views, genre and mythological scenes by eleven of the nation's finest artists.
The Stanford Museum collection of drawings was one of the largest such university collections in the country, distinguished particularly for its holdings in works from the late eighteenth and nineteenth centuries.
Goya’s Last Works
Goya’s understated portrait of the woman known as María Martínez de Puga, acquired by Henry Clay Frick in 1914, was the inspiration for The Frick Collection’s special exhibition Goya’s Last Works. It was the first show in the United States to concentrate exclusively on the final phase of Goya’s long career — the years of the artist’s voluntary exile in Bordeaux from 1824 to 1828. Fifty-one examples of Goya’s final production were borrowed from public and private European and North American collections.
Domenico Tiepolo (1727–1804): A New Testament
The eighteenth-century Venetian painter and draftsman Domenico Tiepolo is best known for his drawn narrative cycles of thecommedia dell’ arte character Punchinello and engaging scenes of everyday life in the Veneto. He reserved his greatest passion, however, for sacred subjects.
Featuring approximately seventy drawings, Poussin, Claude, and Their World: Seventeenth-Century French Drawings from the École des Beaux-Arts, Paris, included outstanding masterpieces by Nicolas Poussin and Claude Lorrain, as well as lesser-known masters such as Sébastien Bourdon, Simon Vouet, Noël Coypel, Charles Le Brun, Eustache Le Sueur, and others. Selected by Emmanuelle Brugerolles, Curator of Drawings at the École Nationale Supérieure des Beaux-Arts, and Colin B.