The Frick Collection held an exhibition of thirteen works by Rembrandt as part of a series of exhibitions of drawings and prints belonging to The Frick Collection. Three drawings acquired by Henry Clay Frick in 1913 were included, as well as ten prints purchased between 1915 and 1919.
The Frick Collection presented an exhibition entitled "Fragonard Drawings in North American Collections," previously shown at the National Gallery of Art, Washington, and at the Fogg Art Museum, Cambridge. This important and beautiful exhibition, curated by Eunice Williams, Assistant Curator of Drawings at the Fogg Art Museum, was comprised of sixty-three drawings by Fragonard, along with a few comparative examples of work by contemporary French artists.
An exhibition of seventy-eight drawings and watercolors lent from the Nationalgalerie in East Berlin, which holds over 4,000 of the extant Menzel drawings. This survey of the great German master's career was the first exhibition devoted to his work in the United States.
A loan exhibition of watercolors and drawings by the celebrated eighteenth- and nineteenth-century English caricaturist Thomas Rowlandson. The eighty-four works in this exhibition were drawn from forty international collections both public and private. Thomas Rowlandson (1756-1827) was a colorful personality and a versatile and prolific artist best known for portraying aristocrats and the English middle class with an eye for comic incident.
An exibition of some sixty drawings recently acquired by the Art Institute of Chicago. The drawings included a wide range of works from many countries and periods, including superb examples by such well-known masters as Annibale Carracci, Hubert Robert, Gainsborough, Gericault, Monet, Redon, and Renoir. Among them were also two exceptionally fine landscapes by Claude Lorrain, a brooding, dark self-portrait by Joseph Wright of Derby, and an early Delacroix figure study which might almost be taken for one by Degas.
American audiences were offered their first comprehensive introduction to drawings and watercolors from the "Golden Age" of Danish art (1815–48) at The Frick Collection. The selection of seventy-two examples from the rich holdings of Denmark's premier art museum included portraits, landscapes, city views, genre and mythological scenes by eleven of the nation's finest artists.
An exhibition of more than fifty Italian Old Master drawings selected from the Ratjen Foundation in Vaduz, Liechtenstein. Unfamiliar to American audiences, these drawings were assembled over three decades by Dr. Wolfgang Ratjen, who established the foundation to provide a permanent home for his collection. Works in the exhibition spanned some 250 years, beginning with Guilo Romano in the first half of the sixteenth century, continuing with a strong preference for baroque and rococo sketches, and ending with a few neoclassical studies from the late eighteenth century.
The Stanford Museum collection of drawings was one of the largest such university collections in the country, distinguished particularly for its holdings in works from the late eighteenth and nineteenth centuries.
Goya’s Last Works
Goya’s understated portrait of the woman known as María Martínez de Puga, acquired by Henry Clay Frick in 1914, was the inspiration for The Frick Collection’s special exhibition Goya’s Last Works. It was the first show in the United States to concentrate exclusively on the final phase of Goya’s long career — the years of the artist’s voluntary exile in Bordeaux from 1824 to 1828. Fifty-one examples of Goya’s final production were borrowed from public and private European and North American collections.
Domenico Tiepolo (1727–1804): A New Testament
The eighteenth-century Venetian painter and draftsman Domenico Tiepolo is best known for his drawn narrative cycles of thecommedia dell’ arte character Punchinello and engaging scenes of everyday life in the Veneto. He reserved his greatest passion, however, for sacred subjects.