2013

Exhibitions to be presented at The Frick Collection during 2013.

 

plaster sculpted bust of man, with brow furrowed and head turned
David d'Angers: Making the Modern Monument
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Lauded by Victor Hugo as the Michelangelo of Paris, French sculptor Pierre-Jean David d’Angers (1788–1856) produced many of the most iconic portraits and ambitious public monuments of the Romantic era. An experimental writer, outspoken Republican, and teacher to some of the greatest sculptors of the nineteenth century, David d’Angers cultivated friendships with an array of contemporary artists, writers, scientists, and politicians — from Honoré de Balzac and Niccolò Paganini to Johann Wolfgang von Goethe and Eugène Delacroix. This exhibition included forty-eight works by David on paper and in wax, terracotta, marble, bronze, and plaster, as well as rare nineteenth-century reproductions of his work in photographs and engravings.

Color print of female clown seated on red bench with legs apart
The Impressionist Line from Degas to Toulouse-Lautrec: Drawings and Prints from the Clark
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This exhibition presented a selection of nineteenth-century French drawings and prints from the Sterling and Francine Clark Art Institute in Williamstown, Massachusetts. Sheets by Millet, Courbet, Degas, Manet, Pissarro, Gauguin, Toulouse-Lautrec, and other masters are on view. Ranging widely in subject matter and technique and spanning the entire second half of the nineteenth century, these works represent the diverse interests of Realist, Impressionist, and Post-Impressionist artists in a rapidly changing world.

*mantle clock in gilt bronze, flanked by with figures bronze figures with books representing Study and Philosophy
Precision and Splendor: Clocks and Watches at The Frick Collection
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The Frick Collection has one of the most important public collections of European timepieces in the United States, much of it acquired through the 1999 bequest of the New York collector Winthrop Kellogg Edey. This extraordinary gift of thirty-eight watches and clocks dating from the Renaissance to the early nineteenth century covers the art of horology in France, Germany, Switzerland, and the United Kingdom. For reasons of space, only part of the collection can be on permanent view in the museum’s galleries. In 2001, many pieces from the Edey collection were featured in The Art of the Timekeeper: Masterpieces from the Winthrop Edey Bequest, an exhibition organized at the Frick by guest curator William J. H. Andrewes. In 2013, visitors had another opportunity to explore the breadth and significance of the Edey collection through an exhibition that presented fourteen watches and eleven clocks from his bequest.

painting of virgin (in blue) and child seated, surrounded by four standing figures
Piero della Francesca in America
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Revered in his own time as a "monarch" of painting, Piero della Francesca (1411/13–1492) is acknowledged today as a founding figure of the Italian Renaissance. In early 2013, The Frick Collection presented the first monographic exhibition in the United States dedicated to the artist. It brought together seven works by Piero della Francesca, including six panels from the Saint’ Agostino altarpiece — the largest number from this masterwork ever reassembled. 

Young woman with large pearl earring
Vermeer, Rembrandt, and Hals: Masterpieces of Dutch Painting from the Mauritshuis
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The Frick Collection was the final American venue of a global tour of paintings from the Royal Picture Gallery Mauritshuis in The Hague, the Netherlands.

oil painting of man from shoulders up in green coat and yellow hat with blue background
Vincent van Gogh's Portrait of a Peasant (Patience Escalier)
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Vincent van Gogh (1853–1890) painted his Portrait of a Peasant (Patience Escalier) in August 1888 during a highly productive fifteen-month stay in Arles in southern France. The opportunity to display this work in New York was the result of a special exchange program between the Norton Simon Museum, Pasadena, and The Frick Collection and marked the first time in forty years that the painting had left its home institution.

chalk drawing in of woman from waist up in large dress with dark headpiece
Mantegna to Matisse: Master Drawings from the Courtauld Gallery
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In keeping with its tradition of exhibiting masterworks from collections outside of New York, the Frick presented fifty-eight drawings from The Courtauld Gallery, London. This exhibition marked the first time that so many of the principal drawings in The Courtauld's renowned collection — one of Britain's most important — have been made available for loan. The prized sheets represent a survey of the extraordinary draftsmanship of Italian, Dutch, Flemish, German, Spanish, British, and French artists active between the late Middle Ages and the early twentieth century.

Green porcelain teapot with orange fish decorations.
White Gold: Highlights from the Arnhold Collection of Meissen Porcelain
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New Portico Gallery Opened with Presentation of Sculpture and Selections from an Important Promised Gift of Meissen Porcelain from Henry H. Arnhold