The third and final entry in a series of three blog posts focusing on conservation "interventions" as recorded in the holdings of the Frick Art Reference Library Photoarchive is this mysterious devotional image in the church of San Martino in Velletri, Italy.
The second of a series of blog entries focusing on conservation “interventions” as recorded in the holdings of the Frick Art Reference Library Photoarchive is this problematic portrait of an engaging young woman, her son, and their serene spaniel attributed to Sir William Beechey (1753–1839).
The first in a series of blog entries focusing on conservation “interventions” as recorded in the holdings of the Frick Art Reference Library Photoarchive is this elegant portrait of Mrs. William Bedlow Crosby attributed to Eliab Metcalf (1785‒1834), which underwent substantial restoration before 1940.
The Photoarchive recently received a gift of three reproductions of portraits of Brooklyn’s Bannard family, including a charming group portrait of the five Bannard children.
In 1956, Thomas Hoving, the former director of the Metropolitan Museum of Art, New York, traveled to Sansepolcro, Italy, to study and photograph works by Piero della Francesca (ca. 1415–1492), including a recently discovered fresco in the church of Santa Chiara (formerly Sant’Agostino).
A painting of St. Ursula originally attributed to Jusepe de Ribera (1591–1652) is more likely a work by another Caravaggesque master, the French artist known as Valentin de Boulogne (1591–1632).
In late January 2013, the representatives of fourteen photoarchives based in Europe and the United States met for two days to discuss future plans for their collections.
The theme of this extensive fresco cycle—which is comprised of more than 300 scenes—is human life as regulated by the heavens.