Hannah Friedman: "Modern Michelangelos? Copies, Fakes, and New Economies of Taste in the Early Seicento"
April 12, 2019 to April 13, 2019
April 13, 2019. Hannah Friedman presents her lecture "'Modern Michelangelos? Copies, Fakes, and New Economies of Taste in the Early Seicento" as part of the two-day symposium 'When Michelangelo Was Modern: The Art Market and Collecting in Italy, 1450–1650' organized by the Center for the History of Collecting, Frick Art Reference Library.
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5:54
Welcoming Remarks, Ian Wardropper and Louisa Wood RubyApril 12, 2019 to April 13, 2019 -
46:10
Inge Reist: "Shaping the Splendor of Italian Renaissance Art through Collecting and Patronage"April 12, 2019 to April 13, 2019 -
27:50
Leah R. Clark: "Merchant-Banker, Diplomat, Courtier, or Agent? Intermediaries and Collecting Art in the Renaissance Courts"April 12, 2019 to April 13, 2019 -
32:35
Stephen K. Scher: "An Insatiable Desire for all Things Antique: Isabella d'Este as Patron and Collector"April 12, 2019 to April 13, 2019 -
31:15
Saida Bondini: "The Patronage of the Others: Artistic and Architectural Commissions in Bologna (1480–1530)"April 12, 2019 to April 13, 2019 -
33:11
John Marciari: "Cleaning Out the Workshop: How Preparatory Drawings Became Collector's Treasure in Renaissance and Baroque Italy"April 12, 2019 to April 13, 2019 -
27:33
Frederick Ilchman: "Birth in Venice: Early Art Collecting in the 'Serenissima'"April 12, 2019 to April 13, 2019 -
28:22
Chriscinda Henry: "The Venetian Courtesan as Collector, Host, and Entertainer: The Case of Elisabetta Condulmer"April 12, 2019 to April 13, 2019 -
29:26
Patrizia Cavazzini: "From the Art Market to St Peter's: The Cases of Nicolas Poussin and Valentin de Boulogne"April 12, 2019 to April 13, 2019 -
30:11
Franco Mormando: "Bernini's Painting Collection"April 12, 2019 to April 13, 2019 -
1:07:28
Conversation with Aso O. Tavitian and Frederick IlchmanApril 12, 2019 to April 13, 2019