Taxonomy term

Past Exhibition: Goya's Last Works

Painting of woman in black dress with red necklace and white gloves

Goya’s Last Works

February 22, 2006 to May 14, 2006

Goya’s understated portrait of the woman known as María Martínez de Puga, acquired by Henry Clay Frick in 1914, was the inspiration for The Frick Collection’s special exhibition Goya’s Last Works. It was the first show in the United States to concentrate exclusively on the final phase of Goya’s long career — the years of the artist’s voluntary exile in Bordeaux from 1824 to 1828. Fifty-one examples of Goya’s final production were borrowed from public and private European and North American collections.

Past Exhibitions: Veronese's Allegories

Painting of man in white garb stretching between two women in dresses

Veronese’s Allegories: Virtue, Love, and Exploration in Renaissance Venice

April 11, 2006 to July 16, 2006

The art of Paolo Veronese (1528–1588) is inextricably linked to the idea of opulence and splendor in Renaissance Venice. His paintings are grandiose visions of the richness and spectacle of sixteenth-century Venetian life. Crowded compositions with theatrical effects, in which groups of sumptuously dressed people re-enact religious and secular events, have become synonymous with Veronese’s oeuvre, and his dazzling and effective use of color has been praised and celebrated over the centuries.

Past Exhibition: Masterpieces from The Cleveland Museum of Art

oil painting depicting biblical scene of the sacrifice of Isaac, showing man being interrupted by angel before killing young boy, circa 1527

Masterpieces of European Painting from The Cleveland Museum of Art

November 8, 2006 to January 28, 2007

For many years, The Frick Collection has offered its visitors the chance to view important Old Master paintings from American institutions outside the New York area. In keeping with this tradition, the Frick presented fourteen extraordinary works from the renowned Cleveland Museum of Art. Ranging in date from the early Renaissance to the mid-nineteenth century, the selection included canvases by artists represented in the Frick’s permanent collection alongside paintings by important masters not typically seen at the museum.