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+ Videos

One Hundred Years at the Library

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Introduction to Citing Resources

links to Not the End of the Story video

Not the End of the Story: Forgotten Histories from the WPI Digital Archives

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Welcome Back to the Frick Art Research Library

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The Algorithmic Gaze: What Does It Mean to See — and Be Seen?

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56:04

"Unframing” Visual Literacy: Critical Engagement with Art and Visual Culture

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44:30

Discovering Archival Material at the Frick

links to Book Launch video

Book Launch: Tastemakers, Collectors, and Patrons

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53:31

Critical Information Literacy: An Introduction

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58:04

Watermark Match Discoveries in Drawings by Rembrandt

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56:52

Introduction to Artist Biographical Resources

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01:00:40

The Montias Database: Exploring 17th-Century Dutch Domestic Interiors Digitally

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1:09:03

WWII-Era Provenance Research

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58:21

The History of Collecting: Then and Now

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1:01:50

Introduction to Web Archives

collage of images with women, with title, "Recovering Women's Legacies"
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Recovering Women’s Legacies: Artists, Dealers, Collectors, and Patrons

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01:09:53

Super Searcher: Strategies for Getting the Most Out of Your Online Searching

01:55:23

Hunting for Paper Moldmates in Leonardo da Vinci’s Codices

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America and the Art of Flanders: Collecting Paintings by Rubens, Van Dyck, and Their Circles

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1:09:43

Illustrating Identity

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58:34

Provenance Stories

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Collecting Impressions: Six Centuries of Print Connoisseurship

Illustration from Athanasius Kircher's “Ars magna lucis et umbrae” of 1646.
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Technological Revolutions and Art History

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Using the Library

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Photoarchive: Highlights of the Collection

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Data synching diagram
+ Videos

Research Tool Overview: Zotero

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Exploriging WorldCat video still from webinar
41:39

Exploring WorldCat

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50:45

Conducting Photoarchive Research Using Frick Digital Collections

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58:32

Exploring Open Access Image Resources

Exploring Open Access Resources
57:04

Exploring Open Access Resources

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51:28

Leila A. Amineddoleh: "Importance of Provenance in Legal Matters and Ownership Disputes"

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1:19:09

Goncourt Brothers and the Taste for the Eighteenth Century

Link to Competing Truths series
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Competing Truths: Art and the Objects of History after the Council of Trent

1:11:17

Entering the Art Market: Collectors and Their Passions

01:09:40

Dr. Lindsay Cook: "Restoring Notre-Dame: A Look at the Digital Scans That Could Help""

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Collecting the "Uncollectible": Earth and Site-Specific Sculpture

57:14

Deena Engel, Glenn Wharton: "Artist Archives Initiative: New Research Models for Contemporary Artists"

Link to When Michelangelo was Modern series
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When Michelangelo was Modern: The Art Market and Collecting in Italy, 1450–1650

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01:06:06

Anne Helmreich: "Exploring the Gilded Age Art Market Through a Digital Lens"

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1:50:05

C. Richard Johnson, Jr. "The Watermark Identification in Rembrandt's Etchings (WIRE) Project at Cornell"

Link to video of Welcome and Introductory remarks for symposium '150 Years of Collecting...'
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150 Years of Collecting Impressionist Art: From the Avante-Garde to the Mainstream

Link to Searching Through Seeing series
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Searching Through Seeing: Optimizing Computer Vision Technology for the Arts

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Link to video of Chantilly panel discussion
50:31

Celebrating a Great Collector and His Domaine: The Duke d’Aumale and the Art Collections at Chantilly

Video still of Inge Reist in Reading Room of the Frick Art Reference Library
24:41

"The Frick Art Reference Library in World War II: Helping Save Europe’s Art"

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Selections from 'Have to Have It: Philadelphians Collect 1850-1930'

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50:04

Paul Jaskot: “Using Digital Humanities to Understand the Architecture of the Holocaust”

Link to video of Ian Wardropper and Inge Reist, Opening Remarks
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Sculpture Collecting and Display, 1600–2000

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1:33:57

Using Computed Weave Maps to Gain Art-Historical Insight from Vermeer's Canvases