Past Exhibitions

  • Mantegna to Matisse: Master Drawings from the Courtauld Gallery

    October 2, 2012 to January 27, 2013

    In keeping with its tradition of exhibiting masterworks from collections outside of New York, the Frick presented fifty-eight drawings from The Courtauld Gallery, London. This exhibition marked the first time that so many of the principal drawings in The Courtauld's renowned collection — one of Britain's most important — have been made available for loan.

  • Gold, Jasper, and Carnelian: Johann Christian Neuber at the Saxon Court

    May 30, 2012 to August 19, 2012

    Since antiquity, gemstones (also known as hard or semiprecious stones) have been cut and polished for use in jewelry, in the creation of vases and cups, and in the decoration of palaces. Rediscovered and developed in sixteenth-century Florence, pietra dura (hard stone) objects were collected and sometimes used as political propaganda among the Medici. A sign of wealth, taste, and power, they were also offered as diplomatic gifts or acquired by foreign sovereigns.

  • Antico: The Golden Age of Renaissance Bronzes

    May 1, 2012 to July 29, 2012

    Antico: The Golden Age of Renaissance Bronzes was the first monographic exhibition in the United States dedicated to Jacopo Alari Bonacolsi, known as Antico (c. 1455–1528). As sculptor to the Gonzaga courts at Mantua and in northern Italy, Antico earned his name, "the antique one," for his creation in the classical style of statuettes, reliefs, and busts that are distinguished by their opulence and beauty.

  • A Passion for Drawings: Charles Ryskamp's Bequest to The Frick Collection

    February 14, 2012 to April 8, 2012

    The Frick Collection celebrated the generosity and discerning taste of former Director Charles A. Ryskamp (1928–2010) with an exhibition of works on paper from his bequest. Dr. Ryskamp's generous gift transformed the museum's holdings in drawings, enlarging them by nearly a third, while complementing the permanent collection's focus on the landscape and figural subjects favored by Henry Clay Frick. The works were exhibited for the first time at the Frick in the Cabinet, a space created by Dr... read more »

  • Renoir, Impressionism, and Full-Length Painting

    February 7, 2012 to May 13, 2012

    In early 2012, The Frick Collection presented an exhibition of nine iconic Impressionist paintings by Pierre-Auguste Renoir, offering the first comprehensive study of the artist's engagement with the full-length format, which was associated with the official Paris Salon in the decade that saw the emergence of a fully fledged Impressionist aesthetic.

  • White Gold: Highlights from the Arnhold Collection of Meissen Porcelain

    December 13, 2011 to January 6, 2013

    New Portico Gallery Opened with Presentation of Sculpture and Selections from an Important Promised Gift of Meissen Porcelain from Henry H. Arnhold

  • Picasso's Drawings, 1890–1921: Reinventing Tradition

    October 4, 2011 to January 8, 2012

    Pablo Picasso (1881–1973) is generally acknowledged to be the greatest draftsman of the twentieth century. The Frick Collection, New York, and the National Gallery of Art, Washington, D.C.,  co-organized an exhibition that looked at the dazzling development of Picasso's drawings, from the precocious academic exercises of his youth in the 1890s to the virtuoso classical works of the early 1920s.

  • Turkish Taste at the Court of Marie-Antoinette

    June 8, 2011 to September 11, 2011

    France has long been fascinated by the Ottoman Empire, and for hundreds of years the taste for turquerie was evident in French fashion, literature, theater and opera, painting, architecture, and interior decoration. Turquerie, a term that came into use in the early nineteenth century, referred to essentially anything produced in the West that evoked or imitated Turkish culture.

  • In a New Light: Bellini's St. Francis in the Desert

    May 22, 2011 to August 28, 2011

    One of the most familiar and beloved paintings at The Frick Collection, Giovanni Bellini’s St. Francis in the Desert (c. 1480), is also deeply enigmatic. The artist has imagined this medieval saint alone in a stony wilderness, stepping forward from his simple shelter into a golden light that seems to transfigure him spiritually. For centuries, viewers of this masterpiece have puzzled over the meaning of Bellini’s composition and have sought explanations in a variety of pictorial... read more »

  • Rembrandt and His School: Masterworks from the Frick and Lugt Collections

    February 15, 2011 to May 15, 2011

    When Henry Clay Frick (1849–1919) was asked whose talents he would most like to possess, he declared: "Rembrandt's." And as the largest individual railway stockholder in the world, Frick is reported to have said that "railways are the Rembrandts of investment." Like Frick, the Dutch art historian Frederik Johannes Lugt (1884–1970) was a great admirer and collector of works by the Dutch artist Rembrandt van Rijn (1606–1669); as a teenager he wrote a... read more »