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The Love Letter

Johannes Vermeer (1632–1675)
The Love Letter, ca. 1669–70
Oil on canvas
17 5/16 × 15 3/16 in. (44 × 38.5 cm)
Rijksmuseum, Amsterdam; purchased with the support of the Vereniging Rembrandt

 

The smallest of the three paintings depicts a scene glimpsed through a dark passage, stocked with household items, with a curtain drawn to the right. Unadorned in her brown and blue dress and apron, the maid stands next to her seated employer who wears a yellow, fur-lined jacket and dress nearly identical to those in Mistress and Maid. Interrupting her playing on the cittern, she holds a letter and turns with a quizzical look toward her maid. The slight smile on the maid's lips and the framed painting of a calm sea suggest that any concerns the mistress might have may be allayed.